• Sectors we work in banner(2)

    Quick Reads

Based on a True Story: Disclaimers in Film and Television

The Netflix drama, ‘‘Baby Reindeer’’ surprised many when it became one of the most talked about shows of the year to date. This is primarily due to the show’s portrayal as a ‘‘true story’’ which left many viewers intrigued enough to try and track down the real-life inspiration behind one of its characters. Their efforts led them to Fiona Harvey, a woman who apparently resembles Martha, a character portrayed on the show as a relentless stalker. 

Following the release of the show to audiences worldwide, Ms Harvey filed a USD 170 million lawsuit against Netflix in California citing defamation, intentional infliction of emotional distress and gross negligence. Could this legal turmoil have been minimised or potentially avoided entirely? Below we look at the importance of and key differences between legal disclaimers in film and television production. 

Fact or Fiction? 

There has been some discussion whether Netflix’s labeling of the show as ‘‘a true story‘’ rather than noting that it was ‘‘based on a true story’’ has contributed to Ms Harvey’s ability to bring a claim. While many films and television shows may be loosely based on real events that are then dramatized for entertainment purposes, the difference here is that each episode of ‘‘Baby Reindeer’’ starts with a statement that reads ‘‘this is a true story’’. But what if all of the story isn’t true? In this case, the show portrays Martha as having been previously imprisoned, but this appears to be a significant deviation from reality for the sake of the storyline, although it is presented as ‘‘true’’. This, along with various other deviations in the show, have ultimately left Netflix more exposed to actions such as those brought by Ms Harvey.

Claims for Defamation 

Litigation against television and film production companies for defamation goes back as far as 1932 when MGM was sued for their portrayal of Princess Natasha in the film ‘‘Rasputin and the Empress’’. The real princess was awarded damages of approximately USD 127,000, equivalent to about USD 2,900,000 today. This consequently led to broad inclusion of the now well-known ‘‘all persons fictitious’’ disclaimer as a way of deterring similar actions. 

Fast-forward to 2022 when Netflix was sued by Georgian chess master, Nona Gaprindashvili, in relation to the series, ‘‘Queen’s Gambit’’. Although not billed as ‘‘a true story’’, a US court found that works of fiction were not immune from defamation claims if real people were slandered. So, are these disclaimers effective at all? 

Based on the California court’s decision, the use of disclaimers such as the standard, ‘‘This series is a dramatization of certain facts and events. Some of the names have been changed and some of the events and characters have been fictionalized, modified or composited for dramatic purposes’’ may be insufficient to protect creators from liability in potential defamation suits if all the elements of defamation are otherwise present. 

In the US, claimants must prove that the depiction complained of was (1) an assertion of fact; (2) actually false or created a false impression about them; (3) highly offensive to a reasonable person, and (4) the show's creator knew the representation was not true or made it with reckless disregard for the truth. So, while the standard ‘‘all persons are fictitious’’ or another similar disclaimer may not provide a full defense, it can be helpful against the ‘‘assertion of fact’’ element of US claims. It is in this context that we can also see the extent of problem created by Baby Reindeer’s inclusion of the wording ‘‘this is a true story’’. 

Looking Ahead

We will have to wait and see what transpires from Ms Harvey’s claim in California. However, producers should take a closer look at what sorts of disclaimers they are using, if any, and reflect on whether they are appropriate, particularly when creating shows based on an individual’s personal experience. We may soon see that taking extra precautions to obfuscate the origins of certain narratives is not only necessary but legally required. 

The lawsuit alleges that the streamer did nothing to determine whether the stalking, assault, and other convictions were accurate...

Our thinking

  • New code of practice for the cyber security of AI development

    Rebecca Steer

    Quick Reads

  • Extra Time: The business of women’s football in Africa

    Sarah Johnson

    Podcasts

  • Singaporean Court Declines to Revisit SIAC Registrar’s Administrative Decision

    Thomas R. Snider

    Insights

  • Ilona Bateson speaks at an event hosted by TheIndustry.fashion on the challenges and opportunities for fashion retailers in 2025

    Ilona Bateson

    In the Press

  • Swiss Anti-Corruption Laws: A Guide to Bribery Offences, Compliance, and Penalties

    Daniela Iselin

    Insights

  • Passage of the English Arbitration Act 2025 into Law

    Thomas R. Snider

    Insights

  • 5 trends to watch in International Arbitration in 2025

    Thomas R. Snider

    Insights

  • Mahmood v Standard Chartered Bank – A landmark decision in discrimination and victimisation but what does it mean for discrimination claims in the DIFC?

    Nick Hurley

    Insights

  • Property Patter: Challenges for commercial property in 2025

    Emma Humphreys

    Podcasts

  • A Closer Look at the Meaning of ‘Investor’ in Investment Treaty Arbitration

    Stephen Chan

    Insights

  • Beyond Dry January: The Rise of the Low and Non-Alcoholic Beverage Sector

    Iwan Thomas

    Insights

  • New food and drink ads regulation & impact on live sports broadcasts

    Sarah Johnson

    Insights

  • AML in decentralized finance and traditional finance

    Caroline Greenwell

    Insights

  • International Arbitration: 2024 in Review

    Thomas R. Snider

    Insights

  • Has the UAE recognised the principle of Without Prejudice Privilege?

    Maher Al Nashar

    Quick Reads

  • Navigating the Future: Key trends for Creative and Digital Agencies in 2025

    Rebecca Steer

    Quick Reads

  • Government consultation on implementation of the DMCC Act’s subscription contracts regime

    Dillon Ravikumar

    Insights

  • Retail Collection – Episode 2: Stonegate - How to create meaningful customer engagement

    Jason Saiban

    Podcasts

  • Food safety, restrictions on unhealthy foods, employee rights and preventing economic crime: Trends to look out for in the Food & Beverage Sector 2025

    Jamie Cartwright

    Insights

  • Understanding Civil and Criminal Remedies in France for Financial Crimes

    Frédéric Jeannin

    Insights

Back to top